80-gram vinyl reissue

Originally released in 1982, Offramp is the third album by Pat Metheny Group, released in 1982, and features the group's signature song, the jazz fusion ballad "Are You Going With Me?" The album won the Grammy Award for Best Jazz Fusion Performance in 1983.

Musicians:
Pat Metheny, electric and acoustic guitar, Roland guitar synthesizer, Synclavier
Lyle Mays, piano, synthesizers, autoharp, electric organ, Synclavier
Steve Rodby, acoustic and electric bass
Dan Gottlieb, drums
Nana Vasconcelos, percussion, voice, berimbau

	1. Barcarole
	2. Are You Going With Me?
	3. Au Lait
	4. Eighteen
	5. Offramp
	6. James
	7. The Bat Part II

180-gram vinyl

Limited time album download included

Available for the first time on 180-gram vinyl, Barzakh (recorded 1990), was the ECM debut of Tunisian oud master Anouar Brahem — an album that immediately captured the attention of press and public with its gracefulness and authority. Beyond the improvisatory brilliance, Barzakh gave notice also of Brahem's gift for writing arresting themes and luminous melody, as illustrated on so many of the pieces here.

	Side 1
	Raf Raf
	Barzakh
	Sadir
	Ronda
	Hou
	Sarandib
	Side 2
	Souga
	Parfum De Gitane
	Bou Naouara
	Kerkenah
	La Nuit Des Yeux
	Le Belvédère Assiége
	Qaf

180-gram vinyl

Mastered from the original analog tapes

Album download included, offer subject to expiration

It had been preceded by ECM duo albums with Barre Phillips and with Derek Bailey as well as the cooperative band Circle's great Paris Concert, but Conference of the Birds, recorded in 1972, was Dave Holland's first album as a full-fledged leader. An album of driving, progressive jazz it is also of historical significance as the only occasion when Sam Rivers and Anthony Braxton, two of the music's most strikingly original saxophonists, recorded together.

Inside Dave's compositions they could meet — if briefly — and share ideas. This summit meeting received raves from the press. "If you've found the new music lacking in swing, cohesion and variety, get to this album," insisted Down Beat in a five star review. "It's Holland's date but each man contributes equally. The six Holland tunes offer great improvisational frameworks, and his bass playing, both arco and pizzicato, couldn't be better… Don't miss this one."

	1. Four Winds
	2. Q & A
	3. Conference Of The Birds
	4. Interception
	5. Now Here (Nowhere)
	6. See-Saw

80-gram 2LP

Limited time album download included

Released for his 60th birthday, Blue Maqams offers many reasons to celebrate. It brings the Tunisian oud master
together with three brilliant improvisers: the "Maqams" of the title refers to the Arabic modal music system, rendered kind of blue by the jazz players. Brahem meets Jack DeJohnette and British pianist Django Bates for the first time here. All musicians rise superbly to the challenge of Brahem's compositions.

	Opening Day
	La Nuit
	Blue Maqams
	Bahia
	La Passante
	Bom Dia Rio
	Persepolis’s Mirage
	The Recovered Road To Al-Sham
	Unexpected Outcome

2015 180-gram vinyl reissue

Facing You is Keith Jarrett's very first recording on ECM and features eight solo piano pieces recorded in the studio in Oslo on November 10, 1971.

"Facing You is one of the most important recordings in contemporary jazz for several reasons, aside from being beautifully conceived and executed by pianist Keith Jarrett. It is a hallmark recording of solo piano in any discipline, a signature piece in the early ECM label discography, a distinct departure from mainstream jazz, a breakthrough for Jarrett, and a studio prelude for his most famous solo project to follow, The Köln Concert." — AllMusic

	1. In Front
	2. Ritooria
	3. Lalene
	4. My Lady; My Child
	5. Landscape For Future Earth
	6. Starbright
	7. Vapallia
	8. Semblence

180-gram double LP

Over the past 40 years, Keith Jarrett has come to be recognized as one of the most creative musicians of our times — universally acclaimed as an improviser of unsurpassed genius; a master of jazz piano; a classical keyboardist of great depth; and as a composer who has written hundreds of pieces for his various jazz groups.

This record-breaking album still gets a chilly reception from some jazz fans. But the inspiration behind its inception lives on. If you've ever been curious over the fuss jazz piano fans make over Keith Jarrett, this album is the reason. This more than 30-year-old concert, spectacularly recorded by ECM owner/svengali Manfred Eicher, remains the fresh jewel it was the day it came out.

Consisting of one long improvisation that Jarrett played on January 24th, 1975, in the opera house in Köln, Germany, and which was later divided into four unnamed parts to fit on LP, it is one of the most extraordinary solo virtuoso performances ever recorded. The ideas literally pour from his fingertips, his crisp technique creates melodic figures and lines that intertwine and intersect; his speed matched only by his lyricism. His occasional sighs and joyous exclamations only add to the sense that he too was surprised at the mass of music gushing out of him. The raw rainbow of emotional and musical colors here is nearly blinding.

The concept of music being prismatic, that it can mean and be almost anything depending upon what the listener brings to it from his or her own experience, may have begun right here. Forever astonishing after all these years.

	Side 1
	1. Koln, January 24, 1975, Part I
	Side 2
	2. Koln, January 24, 1975, Part IIA
	Side 3
	3. Koln, January 24, 1975, Part IIB
	Side 4
	4. Koln, January 24, 1975, Part IIC